African American Civil War Memorial in Washington, D.C.

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The African American Civil War Memorial in Washington, D.C. is at the corner of Vermont Avenue, 10th Street, and U Street NW in the Shaw neighborhood. The neighborhood is named in honor of Robert Gould Shaw, the commander of the 54th Massachusetts Infantry Regiment, one of the first Black regiments in the Civil War. The sculpture is called the Spirit of Freedom by Louisville artist Ed Hamilton. African American Civil War Memorial Freedom Foundation Inc. was the non-profit that commissioned the memorial. It was unveiled in 1998, and is the first national memorial to Black soldiers from the Civil War. The National Park Service currently administers it.

The Spirit of Freedom honors the 209,145 black soldiers and sailors and the 7,800 white officers who led them. While the United States Navy accepted Black recruits from the start of the war, the Army did not. There were Blacks who served in otherwise all-white units as early as 1861, but they did so without official sanction. It was only in 1862 that some African Americans could join Union regiments in New Orleans and South Carolina. With the issuance of the Emancipation Proclamation on January 1, 1863, President Lincoln called for Black men to refrain from irregular violence, but invited them to join the United States military. Here are his words:

 “I hereby enjoin upon the people so declared to be free to abstain from all violence, unless in necessary self-defence; and I recommend to them that, in all cases when allowed, they labor faithfully for reasonable wages.

And I further declare and make known, that such persons of suitable condition, will be received into the armed service of the United States to garrison forts, positions, stations, and other places, and to man vessels of all sorts in said service.”

There is an interpretive plaque at the entrance to the site.

According to the HMDB the plaque says:

“When the American Civil War began, African Americans saw the war as an opportunity to end slavery in the United States. However, fighting for freedom was not yet possible.Since 1792, US law prohibited African Americans from serving in the army. The navy did not exclude African Americans. Change began as the ongoing war demanded more troops. The Confiscation Act of 1861 allowed US forces to seize property used to support the rebellion. The army used the new law to hire previously enslaved men and women who were considered contraband of war. Most of the jobs were as laborers, cooks, teamsters, seamstresses, and laundresses.A year later, Congress passed the Militia Act of 1862 which allowed African Americans to join the army. Black men from South Carolina, Louisiana, and Kansas immediately enlisted.The US government formalized the organization of Black troops after President Lincoln signed the Emancipation Proclamation. The United States Colored Troops (USCT) was created and began to recruit on a large scale. Ultimately, over 200,000 African Americans served in the US Army and Navy during the Civil War.

Photographed by Devry Becker Jones (CC0), February 2, 2025
2. Men of Color, To Arms! Marker

This was about 10% of the entire US military. Troops of Native American, Asian, and Latino descent as well as White officers also served in the African American units.

Black soldiers face discrimination at every turn. They couldn’t become officers, earned less money than whites, and could be put to death if captured during battle. Despite these burdens, Black troops fought with valor.

African Americans in the 54th Massachusetts led a heroic but doomed attack on Fort Wagner SC on July 18, 1863. At the 1864 Battle of New Market Heights, 14 USCTs earned the Medal of Honor for their bravery. African Americans had proven themselves in battle but the struggle for equality didn’t end. It would take almost 100 years for Black troops to fight alongside of their White comrades in integrated units.

Memorial Facts
Materials
Bronze sculpture, granite wall, stainless steel panels

Authorized by Congress
October 14, 1992

Dedication
July 18, 1998

Sculptor
Ed Hamilton

Wall of Honor Symbols
★ Name Divider

● Name is listed multiple times within the same regiment

◆ Name is listed multiple times in different regiments.

Please visit the African American Civil War Museum across Vermont Avenue at the Grimke School, 1925 Vermont Ave, NW, Washington, DC 20011
 
Erected by National Park Service, U.S. Department of the Interior.”

According to the National Park Service:

“Ed Hamilton’s sculpture ‘Spirit of Freedom’ depicts three infantrymen and a sailor defending freedom. Above them is the face of the Spirit of Freedom watching over like an angel with her arms crossed. The other side of the statue shows a scene of a soldier with his family. Inscribed on the sculpture base: ‘Civil War to Civil rights and Beyond. This Memorial is dedicated to those who served in African American units of the Union Army in the Civil War. The 209,145 names inscribed on these walls commemorate those fighters of freedom.'”

While African Americans made up ten percent of the United States Army during the Civil War, as well as twenty percent of the Navy, Blacks rarely got any mention at Civil War battlefields and museums for the first 125 years after Appomattox. This monument helped start the movement to raise the awareness of Black troops.

The opposite side of the memorial shows a soldier taking leave of his family. His spouse, an infant daughter, small children, his father and mother will suffer tragedy or be freed by his service.

During the Civil War, more than 200,000 Black men fought to free four million slaves. Those four million included infants, children, wives, and the elderly who were benefitted by the United States Colored Troops but who also suffered long separations from their sons in the army.

The memorial shows a sailor guiding the ship through the perilous waters during the war. Typically, in other monuments, where a sailor is shown they are looking through field glasses. Here, the sailor is engaged in active work.

The sculptor Ed Hamilton has created public memorials to Blacks connected to United States history including a sculpture of Booker T. Washington. He also created a memorial to the slaves who revolted on the slave trading ship La Amistad outside of New Haven’s City Hall. Louisville, Kentucky has an Abraham Lincoln statue sculpted by Hamilton as well.

Dr. Frank Smith was an important spokesperson for the building of the monument. He was the Founder and Executive Director of the African American Civil War Museum. The monument is erected right across the street from the site of the museum. Smith was a student activist in the anti-segregation Student Nonviolent Coordination Committee (SNCC). He went to Mississippi in 1962 to work with the local African American community for one summer while he was a student at Moorehouse College. When threats against the local Black community became so intense, he decided to stay in Mississippi for the next six years to break down segregation. He also worked with Black Mississippi workers to unionize and strike for higher wages.

Smith saw his work to preserve the history of African Americans as a way of empowering his people. Before the 1960s, most public schools did not give any history of the African American community. Smith helped to change that.

The soldiers are actively advancing.

Each is on the lookout for Confederate soldiers. While they have their own safety in their minds, they also rely on each other for group cohesion.

The base of the monument is just a few feet high. It says:

“This memorial is dedicated to those who served in the African American units of the Union Army in the Civil War. The 209,145 names inscribed on these walls commemorate those fighters of freedom.”

Behind the monument you can see semi-circular walls with the names of African American soldiers who served in the United States military during the Civil War. The names are organized by the units they served in. The names come from the National Archives and from the Mormon Church’s genealogical records.

All color photos taken by Pat Young except as otherwise noted.
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Author: Patrick Young