Boston Sphinx Memorializes the Union Dead of the Civil War & Slavery’s End

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Mount Auburn Cemetery was one of the first “Rural Cemeteries” in the United States. Cemeteries before the 19th Century were adjoining churches or on available acreage near population centers. The Rural Cemeteries were on geographically diverse landscapes, with hills and ponds, streams, and trees. Green-Wood Cemetery in Brooklyn is the most visited of the Rural Cemeteries in the United States, but it was preceded by Mount Auburn near Boston.

Mount Auburn is on the western edge of Cambridge, Massachusetts and it was opened in 1831. Jacob Bigelow, a prominent doctor, had proposed the idea of acquiring and landscaping Mount Auburn, and at the end of the Civil War he wanted to build a monument to the war dead. Bigelow proposed a Sphinx as the appropriate memorial to the men who died.

The statue is fifteen feet long and eight feet high, set on top of an imposing pedestal. The head of a woman is on top of a lion. She is wearing an Egyptian headdress which is topped by a Bald Eagle. The six-pointed star is designed as an American military medal. The flower is the American Water Lilly. At the other end is the Egyptian Lotus.

This was the first monumental sculpture of a Sphinx created in the United States.

 

On this side, you see see the donor of this memorial was Jacob Bigelow. The doctor was born in 1787 and he would live until 1879, 91 years. He was a professor at Harvard’s Medical School and he also did important work studying the botany of New England. He authored the three-volume American Medical Botany. The book analyzed the chemical properties of native plants and their usefulness in treating illnesses.

Bigelow was one of the first American academics to use the term “technology” to describe what professors used to describe as “the useful arts.” While he advance modern technology in the 19th Century, he also believed that in architecture, the ancient civilizations had discovered a superior way of building. He was particularly attracted to the work of the Egyptians. By the time of the Civil War, Bigelow’s promotion of Egyptian Revival architecture was so influential, that English traditional tombstones were being replaced by obelisks and pyramid-shaped tombs.

Bigelow, who had served on the board of Mount Auburn Cemetery since its start, had made a proposal for a Civil War memorial for the Union dead in 1865, however, by 1866 no progress had been made. In 1870, Bigelow told the board of directors that he would donate a monument and in August 1871 he told the board that the statue would be a Sphinx. The next month, the Sphinx was placed on its pedestal at Mount Auburn.

Bigelow told the board that he did not want his name prominently displayed on the monument, since it was to honor the war dead, not himself. However, a less obtrusive acknowledgement is placed at the back of the memorial in Latin. In translation it says  “Jacob Bigelow made it and dedicated it.”

 

On the other side, the sculptor’s name is inscribed. Martin Milmore was a young sculptor born in 1844 in Sligo, Ireland. At the end of the Famine, Milmore’s family immigrated to the United States when the sculptor was only seven years old. When he was still a teenager, he began creating sculptures of Charles Sumner and Henry Wadsworth Longfellow that attracted attention. By the way, both men lie in Mount Auburn Cemetery.

While many Irish immigrants faced discrimination in Boston, Milmore’s family came from a middle-class Protestant segment in Sligo. His father died before his mother and siblings came to the United States, but they had some capital that they brought with them.

Milmore was approaching 18 when he became an apprentice to Thomas Ball, a sculptor well-known in Boston. In 1863, Millmore made a statue of “Devotion” for the 1863 Boston Sanitary Commission Fair. During the war, Milmore was between 18 and 21 years of age, but he never served in the army. After the war, Milmore became famous for sculpting Civil War-related sculptures. His most famous work was the Soldier’s and Sailor’s Monument for Flagstaff Hill, on Boston Common.

Millmore died in 1883 at the age of 38 from a liver ailment. Daniel Chester French, creator of the Lincoln Memorial, made his Death and the Sculptor as his tribute to Millmore showing him creating the Sphinx.

When a formal dedication ceremony was held in 1872, it did not follow what would become the standard for Civil War monuments in New England with assembled troops, bands, veterans, and thousands of spectators. This was a small dedication presided over by the board of directors. Only Bigelow’s friends and family were invited. However, newspaper reporting spread the news about the statue throughout New England.

One one side of the statue there is this Latin inscription:

On the other side is this translation in which preservation of the Union and destruction of slavery were accomplished “by the uprising of a great people by the blood of fallen heroes.”

On the rear of the pedestal is an Egyptian Lotus.

While the statue presents  a racially mixed American nation with a white head and an African Lion’s body, Professor Joy Giguere says that the head of an Anglo-American woman recognizes a racial hierarchy in which whites are equipped for thinking. She notes that Bigelow had not expressed himself an Abolitionist before the war erupted and that his views on African Americans were not that different from most New Englanders. While he was not a defender of slavery, it took the outbreak of war to make him an advocate for Emancipation. Some contemporary viewers of the Boston Sphinx saw the optimism of the combination of Africa and North America as a way of pointing towards an integrated nation going forward. They saw the saving of the Union as coming from the white and black parts of the population working together.

Bigelow wrote that while the form looked back at the ancient world, “The same ideal form which has looked backward on unmeasured antiquity now looks forward to unlimited progress.”

Across from the monument is the Mount Auburn Bigelow Chapel.

 

About a hundred feet away is the Colonel Robert Gould Shaw monument. I will write more on that at another time.

You can enter the cemetery where Mount Auburn St. and Brattle St. intersect. Immediately after you enter the gate, you will see a Visitor Center on the left. If you go into the center you can get a map which points out several Civil War connected sites in the cemetery. Ask the reception staff there on how to get around in the site. They were very helpful to me. Also, to get to the Sphinx, if there is no one there to give directions, go to the Bigelow Chapel. which is just a two minute ride from the Visitors Center. Google Maps highlights both the Chapel and the “Mt Auburn Sphinx” on their map.
All color photos taken by Pat Young.
To see more sites Pat visited CLICK HERE

 

Sources:

“The Americanized Sphinx”: Civil War Commemoration, Jacob Bigelow, and the Sphinx at Mount Auburn Cemetery by JOY M. GIGUERE Journal of the Civil War Era, Vol. 3, No. 1 (MARCH 2013), pp. 62-84

The Sphinx

Martin Milmore: Boston’s Great Civil War Sculptor by William Marcione

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Author: Patrick Young

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